Featuring: Guy Adams, Scott K. Andrews, Edward Cox, Matthew Dunn, Maria & Sergey Dyachenko, Ian C. Esslemont, William Gibson, Bill Granger, Lev Grossman, Marc Guggenheim, Jim C. Hines, Mark Hodder, James Lovegrove, Andy Miller, Fredrik T. Olsson, Gaie Sebold, Tricia Sullivan, David Shafer
Monday, July 28, 2014
Hot on the heels of the identity of the new Captain America, there’s more on the way! Today, Marvel unveiled the cover for Captain America & The Mighty Avengers #1, a second series to feature Sam Wilson-as-Captain America. The series will be written by Al Ewing. The cover above and internal art for the book are by Luke Ross. The series will spin out of the upcoming Marvel Event (yup, another one), Avengers & X-Men: AXIS.
Sam Wilson has inherited his new patriotic moniker, but is he up to the task of leading a team of Earth’s Mightiest Heroes? The hero formerly known as Falcon has some new ideas for the rag-tag team of Mighty Avengers – but the events of AXIS may spell doom for the inexperienced leader. And not everyone on the team is happy with Sam’s new position as leader. Spider-Man is back, too – Amazing this time, NOT Superior. Luke Cage & Jessica Jones are still itching to give him some payback for trying to take their daughter to Child Services. And what is Luke Cage doing meeting with the head of the notorious Cortex corporation?
Here’s what Ewing had to say about the series, in an interview with Marvel.com:
“As for the mission statement – same as it’s ever been. Help those in need, however they need it. This is where all the work over the previous series pays off – the Gem theater is refurbished, the hotline is in place, the field team is on standby to take care of problems nobody else can handle. The Mighty Avengers are hitting the ground running.”
I. THE FEVER STREETS
A girl hurried barefoot through the streets of what had once been East London.
She stumbled, clumsy in her haste, and caught herself with the iron railing she carried in her right hand. Her skin was covered in scales of tiny terracotta rooftops. A fringe of rubberised cable fell across her forehead from under the hood of her sweatshirt. The hair-fi ne streets that crisscrossed her back were flooded with oily sweat. As she ran, her shadow loomed and shambled in front of her, stretched by the dawn.
Thursday, July 24, 2014
Now this sounds pretty interesting. Don’t know much about the novel or the author, but it caught my eye earlier today (when I received a press release about it…). I do know it’s the first in a new trilogy. Here’s the synopsis:
The gargantuan Factory of Gleam is an ancient, hulking edifice of stone, metal and glass ruled over by chaste alchemists and astronomer priests.
As millennia have passed, the population has decreased, and now only the central district is fully inhabited and operational; the outskirts have been left for the wilderness to reclaim. This decaying, lawless zone is the Discard; the home of Wild Alan.
Clever, arrogant, and perpetually angry, Wild Alan is both loved and loathed by the Discard’s misfits. He’s convinced that the Gleam authorities were behind the disaster that killed his parents and his ambition is to prove it. But he’s about to uncover more than he bargained for.
Tom Fletcher’s Gleam is due to be published by Jo Fletcher Books in the UK, on September 4th, 2014. Fletcher is also the author of The Thing on the Shore, The Leaping, and The Ravenglass Eye. The author is also on Twitter.
I was rather unimpressed by the first two movies in this trilogy (which should never have been a trilogy to begin with). Nevertheless, one thing they are is visually stunning. Peter Jackson sure knows how to shoot beautiful movies. The poster for the third and final instalment does not disappoint. Check it out:
Smaug does not look like a happy bunny… (Found via IGN.)
Wednesday, July 23, 2014
Let’s start with an introduction: Who is Edward Cox?
I am a woefully undereducated village idiot, with gladness for blood and nothing but sunshine in my head. Every day I try – really hard – to be a cool and moody writer, but every day I fail. I have eternal faith in the human race, which some might say comes from naivety, but I do not care; I refuse to give up on us. Outside of my obsession for writing, I simply don’t know what I’m doing, and I’m always the last to understand what’s going on. I am also a husband and a father to two ladies who I love beyond measure.
However… If I ever do discover the secret to cool and moody, I will change my name to Thundermaster Volcanofists, and all shall fear me.
A balls out fantasy adventure! Or, to be more professional, I like to think of The Relic Guild as a story about people doing the right thing even when they’ve been given every reason not to. Also, I’ve been trying to refine a pitch for the book, and this is what I’m currently down to:
At the centre of a gigantic labyrinth, in a sprawling city trapped behind walls one hundred feet high, young Clara is about to become the unwitting participant in the machinations of higher magic. It falls to her to reunite the last of a secret band of magickers called the Relic Guild. Together they must find a way to save one million humans from an age old menace that is about to return.
Tuesday, July 22, 2014
I received a press release this morning that really piqued my interest. Over the course of this year (and maybe some of early 2015), Headline will be re-jacketing and re-issuing Carol O’Connell’s Kathy Mallory crime series. I have never read any of the series, I’m sad to say. However, one of the things I love is finding established series on which to binge. I’ve found two ‘new’ series that I was going to start working my way through (Matthew Dunn’s Spycatcher and Daniel Silva’s Gabriel Allon series), but this one has to be added to the list, too. And may even be the first I try. I’m really looking forward to these re-issues.
Here’s the release scheduled:
Mallory’s Oracle – 14th August 2014
The Man Who Lied to Women – 14th August 2014
Killing Critics – 11th September 2014
Flight of the Stone Angel – 11th September 2014
Shell Game – 9th October 2014
Crime School – 9th October 2014
Dead Famous – 6th November 2014
Winter House – 6th November 2014
Shark Music – 4th December 2014
The Chalk Girl – Pub. Date TBC
It Happens in the Dark – Pub. Date TBC
Here’s the synopsis for the first novel, Mallory’s Oracle:
Mallory Book 1: the first NYPD detective Kathy Mallory novel from New York Times bestseller Carol O’Connell, master of knife-edge suspense and intricate plotting.
Detective Kathy Mallory. New York’s darkest. You only underestimate her once.
When NYPD Sergeant Kathy Mallory was an eleven-year-old street kid, she got caught stealing. The detective who found her was Louis Markowitz. He should have arrested her. Instead he adopted her, and raised her as his own, in the best tradition of New York’s finest.
Now Markowitz is dead, and Mallory the first officer on the scene. She knows any criminal who could outsmart her father is no ordinary human. This is a ruthless serial killer, a freak from the night-side of the mind.
And one question troubles her more than any other: why did he go in there alone?
In recent years, dystopian fiction has taken the world by storm. Series such as The Hunger Games, Divergent and Delirium have exploded onto the book market and paved the way for this speculative genre, which explores social and political structures and is set in a societal structure that is headed for an irreversible oblivion, where justice, freedom and happiness are suppressed.
A speculative genre is commonly found in science-fiction, and the underlying concept is often an analogy for real-world issues. Some people even read these books as a political warning of things to come, should humanity make the wrong choices.
Today’s society is exposed to a particularly violent culture through television, gaming and rising crime. Dystopia’s are characterised by a “high stakes” scenario, with plenty of action and adventure, but they typically have a “hopeful” ending – and above all, people crave the presence of hope in a world where there is little to be had.
I’ve seen mentions of this novel on a number of blogs and online venues for what feels like ages. I’m intrigued to read it. It seems to be in the SFF Western sub-genre – one that I’m rather fond of, but also one in which I am woefully under-read. I’d be lying if I didn’t admit that my attention wasn’t first drawn by that cover, which I think is really cool.
The border town called Sixes is quiet in the heat of the day. Still, Appaloosa Elim has heard the stories about what wakes at sunset: gunslingers and shapeshifters and ancient animal gods whose human faces never outlast the daylight.
And the daylight is running out. Elim’s so-called “partner” – that lily-white lordling Sil Halfwick – has disappeared inside the old adobe walls, hell-bent on making a name for himself among Sixes’ notorious black-market traders. Elim, whose worldly station is written in the bastard browns and whites of his cow-spotted face, doesn't dare show up home without him.
If he ever wants to go home again, he’d better find his missing partner fast. But if he’s caught out after dark, Elim risks succumbing to the old and sinister truth in his own flesh – and discovering just how far he’ll go to survive the night.
According to the publisher’s page, this is “Book One in the Ustari Cycle, the first portion of We Are Not Good People was originally published in an altered form as Trickster (Pocket Books)”. Not sure what this means for people (like me) who bought Trickster, or how “altered” this version will be, but here’s the synopsis for this version:
The ethics in a world of blood are gray – and an underground strata of blood magicians has been engineering disasters for centuries in order to acquire enough fuel for their spells. They are not good people.
Some practitioners, however, use the Words and a swipe of the blade to cast simpler spells, such as Charms and Cantrips to gas up $1 bills so they appear to be $20s. Lem Vonnegan and his sidekick Mags fall into this level of mage, hustlers and con men all. Lem tries to be ethical by using only his own blood, by not using Bleeders or “volunteers.” But it makes life hard. Soon they might have to get honest work.
When the pair encounters a girl who’s been kidnapped and marked up with magic runes for a ritual spell, it’s clear they’re in over their heads. Turning to Lem’s estranged master for help, they are told that not only is the girl’s life all but forfeit, but that the world’s preeminent mage, Mika Renar, has earth-shattering plans for her—and Lem just got in the way. With the fate of the world on the line, and Lem both spooked and intrigued by the mysterious girl, the other nominates him to become the huckleberry who’ll take down Renar. But even if he, Mags, and the simpletons who follow him prevail, they’re dealing with the kind of power that doesn’t understand defeat, or mercy.
We Are Not Good People is due to be published by Gallery Books (Simon & Schuster) in October 2014. One thing that’s clear to me is that the publisher is aiming for a new – or at least broader – audience: this cover is less “urban fantasy” and a bit more thriller. I’d love to know what, if any, difference this makes to its sales figures.